But I will say this is an easy recommendation for somebody looking for a quality monitor at this price point, mainly because Dynaudio is a very well-established company. Returning again to that tweeter, and it encroaching on the Esotar3’s territory, I’ve always found Phil Smith’s posthorn solo in Bernstein’s take on Mahler’s Third, with the New York Philharmonic (DG 427 328-2), a very good test of a tweeter, and listening to it via the Dynaudio Evoke 50s I heard all of the brightness, cleanliness and punch-through that I expect to hear, and all against an atmosphere so orchestral you could cut it with a knife. There’s going to be natural liveliness and even sharpness if the recording calls for it. Dynaudio came to Bristol armed with two new speaker ranges in the Confidence and Evoke. But the thing that I haven’t been a fan of in the past is the somewhat dry sound. It’s not going to have that sharp treble or the V curve that many people like with bright treble and massive bass. If you listen to loud volumes, they’re probably not going to be the best choice for you. Its powerful 7" mid/bass driver ensures it can flex its muscles when there’s heavy lifting to be done, while its 1.1" soft-dome tweeter takes care of the fine detail. The Evoke 10 itself is a very straightforward design. That’s when you smile, shrug and invite them to sit down in the sweet-spot on your sofa. $22,950. So 35Hz to 22kHz ±3dB it is. Dynaudio's Evoke 20 is a full-size stand-mounted speaker designed to excel in almost any size space. Visit our corporate site. You can see that without the bung, peak output is a bit above 40Hz, itself just a bit above the bass drivers’ minima at 38Hz. Let’s take a look at the back. The tweeter uses Dynaudio’s newly developed Hexis built-in dome, making the details in the music clearer. Customer Reviews (0) Dynaudio Evoke 30 Loudspeakers EVOKE 30 - Born in Jupiter. Sensitivity: 88 dB. It’s very versatile, very matter-of-fact, yet it’s like there’s no character to the sound. Hexis er taget direkte fra de nyeste Contour- og Confidence-serier og findes ikke i andre Dynaudio … Optional Powered Sub: Add a Dynaudio powered subwoofer ( Sub 3 / Sub 6 - sold separately) for deeper, bigger bass response and a more immersive experience from your 2ch stereo or multichannel home theater Evoke system. Great news! In detail, you don’t need to crank up the volume to hear excellent information out of these speakers, which was another feature to a lot of the Dynaudio products. There are richness and balance there. But that’s not the case with the Evokes. You can hear every detail in the music performance. The ability for a loudspeaker to mimic the spoken voice of someone you know well is a lot harder than you’d imagine, yet I’m happy to report that when one channel of a Dynaudio’s Evoke 50 was reproducing a mono home recording of the dulcet tones of my nearest and dearest, I could easily have sworn she was right there in the room with me. The bottom-most notes are stringily tangible, and you’re never left wondering about pitch, even for the most briefly-struck keys. For more extreme bass reduction, fit the complete plug so that the port is blocked.’ I say this is simplistic because when you block the port completely you will certainly get a reduction in the level of upper bass, but you may find that you also get a slight lift in the level of the extremely low bass. The Evoke 10 has a warm, comfortable to listen to the sound. You likely haven’t heard of it because all loudspeaker manufacturers prefer to keep very quiet about Doppler distortion because all of them sell speakers that suffer from it. But for the best performance from the sweet spot, I found that they do best with 28-inch stands. The Dynaudio Evoke 20 is a highly capable and revealing loudspeaker that let’s you know exactly what’s going on in the music but does so in a warm, relaxed fashion, this doesn’t stop music that’s frantic or intense sounding the way it was intended but it means that less refined recordings don’t sound harsh or … This review and test originally appeared in Australian Hi-Fi magazine, one of What Hi-Fi?’s sister titles from Down Under. With the half-bung fitted, the output from the port drops by 5dB, as you’d expect, and the peak output also drops in frequency down to 32Hz. Their treble, I would say, is inherently smooth sounding. That said, the response is not super-flat within these dB limits, with definite lifts to above the ‘reference’ SPL (85dB) at around 1kHz (only minor) and around 3–6kHz (also minor). As for that midrange, it was, as I have already intimated, absolutely superb: totally clean and clear, and not a hint of the boxiness that can affect two-way and 2.5-way speaker designs. On the top, we are going to have a 28mm coated soft dome tweeter. This means that instead of hearing a 1,000Hz tone, we will actually hear 1,020Hz as the cone moves towards us and 1,980Hz when it’s moving away. True to the goal, it does a great job of getting out of the way of itself. But I was not prepared for the quality and expansiveness of the bass from the dual bass drivers, nor was I prepared for the performance from the new Cerotar tweeter, which was exceptionally good… so good that it was very easily encroaching on the Esotar3’s territory. I appreciate the versatility, the build quality, the history. The bass is not only powerful (turn up the volume at the peril of your ears, and the annoyance of your neighbours… because those Dynaudio bass drivers are built tough, they can take it) but also enormously extended. You can feel that “someone” versus “something” made these. Compare. Here’s the bottom line, Dynaudio has always had one significant strength, and that is their versatility. May 2019 (98%) 11 Reviews. Read honest and unbiased product reviews from our users. 1 year ago After many speaker demos my wife and I pulled the trigger on the Dynaudio Evoke 50. And as you can imagine, this features trickle-down tech from their higher-end models. We have tested the small compact as well as floorstanding models. Let’s talk about mid-range. You will need these outrigger feet, too, because without them the cabinet is a little unstable and quite easy to tip over, because it’s so tall and narrow. Whereas the Esotar3 tweeter is made from neodymium alloy—Nd2Fe14B—the Evoke 50 tweeter’s magnet is made from a less-powerful magnetic material made using strontium carbonate ferrite which Dynaudio calls ‘Cerotar.’. The pair I tested were finished as Walnut Wood. So I would say that you’ll be good to go at your height or slightly lower in the sweet spot. Unusually for a driver of this size, the voice-coil is driven by a neodymium magnet, which seems to suggest that the design may be a variant of the midrange driver Dynaudio uses in its Contour range. The section of the trace above 900Hz is the gated high-frequency response of the speaker, without the grille fitted. The bass will be strong for a speaker this size but don’t expect it to rumble your room. Overall this is a well-rounded speaker who handles a wide variety of music just fine. What you can’t see in the photograph of the front of the Dynaudio Evoke 50s is the single—and absolutely humongous!—bass reflex port that is located on the rear panel of each cabinet, quite low down, but above the single set of speaker terminals. For example, when listening to a violin performance, the sound is bright and elegant, making the music more transparent and full of aura. If they retain the Dynaudio house sound and my Luxman 590 AXII, Nordost Cables and DirectStream DAC have synergy with them I knew I would be in for a treat. What I like so much about them is there’s some expression to the tone. However, spreading the load of the low-frequencies across two drivers not only allows the use of smaller-diameter drivers, it also distributes the amplifier power between two voice-coils, rather than one, which means increased power-handling capability and, more importantly, reduced dynamic compression. It doesn’t feel like this tiny speaker to where you have to be sitting at a certain height to get that decent sense of scale out of it. For the very few products used in its speakers that Dynaudio does not manufacture in-house, such as the capacitors and resistors used in its crossovers, for example, this Danish company is so large that it derives enormous benefits from the economies of scale. Yet, at the same time, they’re transparent. Still to those very few of you out there who have never heard of this company before. The Evoke 10, to be clear, isn’t a small speaker that’s trying to be anything more than what it is. The ability of the Dynaudio Evoke 50s to create not only a superb stereo image, but a complete soundstage, is second to none… and you don’t have to be in the sweet spot either. But nor are they super laid-back either. There’s also some richness to the character that helps make for an engaging listening experience. Which is the more desirable outcome will depend not only on your room and where the speakers are positioned in that room, but also on the type of music you most often listen to. I found that you need to put about four or five feet between yourself and these speakers to enjoy that seamless driver integration that they are capable of. According to the Alex Newman, one of the acoustic designers responsible for the Evoke series, the second do… Evoke 20 (£1800) is the larger of the two Evoke stand-mounted speakers. This two-way design pairs the 28mm Cerotar tweeter and Hexis with an 18cm long-throw woofer. On the back, we are going to have our rear port. But back to that bass, it was so powerful that I half-checked the cabinets to see if they were rocking back and forth as a result of the driver excursion, but no… the cabinets were rock solid back and forth with no movement at all—no doubt thanks to those outrigger feet, which are far more effective at delivering front/back stability than they are delivering side/side stability. It’s all about giving you a presentation where it’s easy to listen to across a wide variety of recorded material yet just expressive enough to be interesting. The LYD have older units more similar to the old Excite. This way it not only gets better pricing—and a big say in quality control—but it can also have those capacitors and resistors branded ‘Dynaudio’ rather than with the name of the original manufacturer. These days, there are fewer salespeople on showroom floors, and many customers (particularly children) feel the need to ‘poke’ drivers (particularly tweeters) when no-one’s looking, so with fewer salespeople to control out-of-control customers, it’s likely that increasing numbers of tweeters are being damaged. It didn’t fool the dog though… but then no loudspeaker ever has! Evoke 10 (£1250) is a compact two-way standmounter with a 14cm long-throw woofer. As you can see from the photographs accompanying this review, the Evoke 50 has two bass drivers, each with an overall diameter of 185mm, a moving diameter of 120mm and a Thiele/Small diameter of 115mm. DYNAUDIO EVOKE 20 standmount speakers + Clean, smooth sound without being overly dry nor analytical; good midrange presence with room-shaking bass. They also have some excitement about the presentation. That strong V curve is not going to be for everybody. It’s made entirely of plastic and although it’s flared where it exits the cabinet, the same isn’t the case at the entrance of the port, inside the cabinet. What Hi-Fi? But it’s not just that the Dynaudio Evoke 50s have a big sound… it’s that they sound fabulous, with super-extended, effortless bass, superb midrange and transparent highs, along with stereo imaging to die for. The tone isn’t going to shift very much at all. They al… Speaking of off-axis performance is very good. Excellent design. There are several important take-aways from these graphs. According to the Alex Newman, one of the acoustic designers responsible for the Evoke series, the second dome enables better control of air pressure behind the fabric dome and because of this increased control, the company has been able to achieve an even-smoother frequency response from the tweeter. They’re kind of in-between. I love the fact that it also integrates so well with the tweeter. For now, let’s focus on one of their products, which is the Dynaudio Evoke 10.eval(ez_write_tag([[580,400],'hifireport_com-medrectangle-3','ezslot_11',132,'0','0'])); The Evoke 10 represents the entry into their latest lineup, the Evoke series. I want these speakers a lot more than I thought I would. Pedants with sharp eyes might point out that the trace is actually a little below the –3dB envelope between 42Hz and 52Hz, but the magnitude of the variation and the measurement variabilities at these frequencies mean that we can safely ignore this to arrive at the ‘overall’ response stated. Add to wishlist. Like all new Evoke models, it features Dynaudio’s new 28mm Cerotar tweeter with the new Hexis inner dome. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm, and a glass-fiber voice-coil former with a trademark Dynaudio aluminum voice-coil. Teaming a fashionable aesthetic with formidable sonics, the Evoke 30 crafts the perfect fusion of both. While the Special Twenty-Five was a fairly large, stand-mounted, two-way speaker, Dynaudio's 30th-anniversary model, the Sapphire ($16,500/pair), was an unusual-looking floorstanding design. That also lends itself well to heavier types of music electronic, rock-and-roll, hip-hop, R&B. It can handle crescendos pretty well, which will be great news for people who love classical like me. Dynamic output for something that has a slightly rich and laid back sound is outstanding. They just unveiled this new warranty program to where they increase the warranty to eight years if you register the product through them. Let’s talk about the dynamic output. They’re very, very easy to listen to, even on less than perfect recordings. Nonetheless I would thus expect the sound to have a very slight forward character at these frequencies. When it comes to imaging, imaging is going to be great as a compact speaker. All rights reserved. I know that the cabinets are designed and made in Denmark. This huge Danish company can now lay claim to having the largest and best-equipped anechoic speaker measurement chamber in the world, as well as one of the most advanced loudspeaker manufacturing factories in the world, both of which were the direct result of a huge injection of capital from Chinese manufacturer GoerTek, after it purchased Dynaudio in 2014. Evoke 30’s twin 14cm Esotec+ mid/bass drivers are made from MSP (Magnesium Silicate Polymer), a material we’ve been using for our woofer diaphragms since Dynaudio started back in 1977. These are very well made and nice looking in piano black. How can you get it? But in my opinion, these are surprisingly good speakers, and they may have emerged as one of my favorite monitors for this price now. That larger chamber, in conjunction with the new pressure conduit, reduces the back-pressure on the rear of the tweeter diaphragm, effectively enabling enhanced frequency extension. The new tweeter also benefits from the tweeter Dynaudio designed for its ‘Special 40’ speaker, an anniversary model specifically developed to celebrate Dynaudio’s forty years in the loudspeaker business. When you listen to these speakers, you’ll notice that number one, they don’t project in a forward way. That’s what these speakers can deliver. Just a brief note on the latest speakers I'm auctioning. Power output per se is not important—these are efficient loudspeakers, so they’ll make the most of any reasonably-powered amplifier—so any solid-state design that’s rated by its manufacturer with an output into a 2Ω load will be fine… or equally any non-SET valve amp with a 2Ω tap. Nothing much to report here. Af udseende er Evoke 20 umiskendeligt Dynaudio, men med mere afrundede hjørner end på tidligere serier. The Evoke series consists out of two stand-mount speakers, Evoke 10 and 20, two floor standing speakers, Evoke 30 and 50, and finally Evoke 25c which is a center speaker. Put a pair of floorstanders in your living room and even the least ‘hi-fi’ person in the world will know you mean business. Since then, they have become a powerhouse in the world of high-end loudspeaker manufacturing. This two-way design pairs the 28mm Cerotar tweeter and Hexis with an 18cm long-throw woofer. This gives Dynaudio unprecedented control over the entire manufacturing process—there are very, very few loudspeaker manufacturers in the world that make all the drivers that are used in their speakers. It has that very balanced sound of Dynaudio in the past. “The drivers in the Evoke are the best to date. The high-frequency response of the Dynaudio Evoke 50 is shown in greater detail in Graph 2, but you should note that the different measurement technique that’s used in order to provide this detail means that only high-frequencies can be measured (in this case, those above 900Hz). I tend often to use ‘Sampler’ CDs when auditioning, because it saves a whole lot of disc-swapping, and on Ana Caram’s contribution to Chesky’s Jazz Sampler Volume 1 (Meditation) I heard the superb clarity of her vocal inflections as well as I think I ever have. Plug them in, turn them up, and then get a friend round. To the point where the Evoke 10 can borderline change their entire character depending on the kind of gear that you use. Thank you for signing up to What Hi-Fi?. It scales very well. The bungs provided with the Evoke 50 are in two pieces, with an inner plug and an outer ring. Dynaudio has a fairly simplistic answer in its Owner’s Manual, which takes the form of this advice: ‘(Plugs) can be fitted to reduce the bass emphasis that may be apparent if the speakers are placed close to room boundaries. Customer ratings and reviews. Others gave them rave after rave. If you’d like to hear something fabulous that has both the piano and the violin working the Dynaudio Evoke 50s’ midrange hard (as well as those superb bass drivers), I can totally recommend Brahms’ Complete Sonatas for Violin and Piano on Calliope (Harmonia Mundi) as performed by Andrew Hardy and Uriel Tsachor. Fabulous sound, with super-extended, effortless bass, superb midrange and transparent highs, along with stereo imaging to die for. When everyone is still discussing Bluetooth speakers, Dynaudio has already considered that speakers need to be "wireless" and must not rely solely... EDIFIER s2000 Pro Active Wireless Speaker Review, Dimensions (W x H x D): 180x315x266mm, 7.1×12.4×10.5in, Dimensions with feet/grille (W x H x D): 180x315x277mm, 7.1×12.4×10.9in. Evoke 50 is the only speaker in the family to have a dedicated midrange driver, so the engineers in Dynaudio Labs decided to make it a little bit special. If you use just the outer ring, you simply reduce the size of the port. Bath I’ll discuss how you’d use these bungs later in this review. Scroll down and see all reviews for Dynaudio Evoke 20 bookshelf speaker. Secondly although Dynaudio specifies minimum impedance as being 3Ω at 100Hz, Newport Test Labs shows that minimum impedance of its test sample was a little lower again, at 2.8Ω (at 100Hz). Graph 1 shows a frequency response that was obtained using two different techniques. First, let me summarize the experiences that I’ve had with other Dynaudio products. You can tell that here’s a tweeter and here’s a Woofer.eval(ez_write_tag([[250,250],'hifireport_com-large-leaderboard-2','ezslot_9',135,'0','0'])); Let’s go ahead and get evident out of the way. The Evoke range comprises two standmounts (Evoke 10 and 20), two floorstanders (Evoke 30 and 50) and a centre speaker (Evoke 25c). but in the particular case of the Dynaudio Evoke 50, its unique double-dome structure would make such a repair challenging, to say the least. Generally, I would recommend not using the plugs unless you find the bass a bit ‘boomy’ and ‘one-note’ in which case I’d recommend blocking the ports completely… not just using a ‘half bung’. Like all new Evoke models, it features Dynaudio's new 28mm Cerotar tweeter with the new Hexis inner dome. They’ve been steadily improving that design through the years. The speakers themselves feel very substantial and well put together. You can see that although the bass drivers are identical, their different positions on the front baffle mean their performance is not identical. But that’s not the case with the Evoke 10. The Dynaudio Evoke series features five hi-fi speakers with Danish timeless housing design that treasures the high-quality features and technology referenced from their top range models. But for most of you, 60 to 80 watts or more is where you’re going to want to be. They’ve also done a great job of building a speaker that isn’t to discriminate about the kind of media you listen to. They tend to sound good with a wide variety of components, mostly solid-state. In fact, you can try this for yourself when auditioning: sit exactly in the sweet spot, then move your head from side to side, and up and down, and twist it from side to side. Its single-piece polypropylene cone is only 0.4mm thick and is driven by an aluminium voice-coil wound around a fibreglass former. Dynaudio (Evoke) + ExpertPro 220. The 40’s are getting high praise… One review I read of these speakers proclaimed them as the best bookshelf speaker Dynaudio has made. You can walk around a room. They’re well-established in multiple industries, such as the professional audio market, home audio market, the automotive industry, and the custom install industry. Here’s a brief history of the brand. This speaker does not have that, meaning vocal sound very natural, live on implicant very honest. So far, so good, but is there a downside? Most importantly is designed to get out of the way of itself, which leads me to its general performance. It’s a compact two-way, rear-ported, bass-reflex design. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm and a glass-fibre voice-coil former with a trademark Dynaudio aluminium voice-coil. So, as I said before I digressed to make that very important point, I was fully expecting the midrange of the Dynaudio Evoke 50 to be the stand-out sonic feature of the design. The sonorities Hardy creates with his 1793 Guadagnini are ear-opening: the warmth of the instrument is exceptional, yet never so warm that you can’t hear the perfection of his vibrato. With the speakers only maybe a foot or two away from your ears, in my experience, the answer is they’re right, but they’re not great. That is where you’re going to get the drivers at your ears, where everything will come into focus. It’s balanced. When it comes to bass output in speed, I would say it’s very middle-of-the-road, which I actually think is good. We’d put money on your pal asking where’s the rest of the speakers are. Read our Dynaudio evoke 30 review. The Dynaudio Evoke 20. I like that because it gives the sound some solidarity but doesn’t expect this little speaker to sound way more significant than it is in low-end output. I love that connectivity and get the sense that Dynaudio really cares about their workmanship as I hefted the speakers in place. But still, they’re going to be for somebody who wants a balanced, right tone, something that’s expressive yet easy to listen to. They are not going anywhere. The Evoke series took trickle-down tech from their higher-end lines and packaged it into something a little bit more affordable. Sign up below to get the latest from What Hi-Fi?, plus exclusive special offers, direct to your inbox! Evoke 50 is the only speaker in the family to have a dedicated midrange driver, so the engineers in Dynaudio Labs decided to make it a little bit special. Unlike many such recordings, not only are the two musicians in perfect musical balance with each other, but the sounds of their two instruments are also perfectly balanced one against the other, something that’s enormously difficult to do with two instruments that produce their sounds so differently as the piano and the violin, due not only to the differences in acoustic size, but in the method of sound creation (i.e., vibration vs. percussion). And that midrange driver is a newly-developed model with an overall diameter of 150mm, a moving diameter (that is, the diameter of the cone and roll surround) of 120mm and a Thiele/Small diameter of 115mm. The foam port plugs do not come pre-installed, so if you want to use them, you’ll need to remove them from their protective zip-lock plastic bags and press them into the port tubes. A powerful amplifier, the response is marginally smoother and more linear without the grille fitted bookshelf speaker the. 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